backstage color
English
GUIDE · SONY FX3

Which LUT for the Sony FX3 (and A7S III)?

The Sony FX3 and A7S III shoot S-Log3. The "best LUT" depends on what you want from it: converting your image, or giving it a style.

Which LUT for the Sony FX3 (and A7S III)?

Two kinds of LUT

The order that avoids bad surprises

  1. Expose well on set: in S-Log3, many videographers overexpose slightly to keep clean shadows.
  2. Convert (Color Space Transform or conversion LUT).
  3. Fix exposure and balance.
  4. Add the creative LUT last, and lower its strength if needed.

Why a creative LUT sometimes "doesn't work"

If the LUT goes straight onto the log, or onto a badly exposed image, the result looks wrong. It was built for a specific starting image: follow the order above, or use a PowerGrade that adapts to your shot.

Your S-Log3 looks all grey? Read Why does my S-Log3 look grey. To apply your LUT: Premiere Pro, Final Cut Pro, CapCut, DaVinci Resolve.

The Cinematic Pack: 6 cinematic LUTs tested on S-Log3.See the LUTs

Read next

Why does my S-Log3 look grey and washed out? (How to fix it)Your S-Log3 footage looks grey and washed out? That's normal: log keeps the light in…How to color grade S-Log3 in DaVinci Resolve: the simple methodHow to grade Sony S-Log3 footage in DaVinci Resolve: Color Space Transform, exposure…4K S-Log3 footage to practice color grading4K 10-bit S-Log3 shots filmed by different videographers, to download with a plan…Cinematic Pack: 6 cinematic LUTs + 50 sound effects6 cinematic .cube LUTs for DaVinci Resolve, Premiere Pro, Final Cut Pro and CapCut…